The Guitar Story
... a true story
When I was about
eleven years old
we went to the
hospital to
visit with the
doctor to find
out what he
wanted to do for
my next
operation. This
is pretty
standard
procedure for a
kid in my
situation. So,
off we went to
the hospital. We
sat in the
waiting room for
a while, and
then went into
the doctor’s
office. He asked
me to get up on
the examination
table, while my
mother and
father sat and
waited and
watched.
Doctor Salter
gently picked up
my left hand,
looked at the
wrist, and said
"I think it's
time we
straighten your
left
wrist." You
see, my left
wrist has quite
a pronounced 90°
angle, and it
doesn't go
straight. It
doesn't matter
how hard you
push; it doesn't
go straight. It
is just bent. It
had a bunch of
operations on it
already, and
those operations
gave me quite a
bit of
flexibility and
some use of my
fingers. My
thumb doesn't
stick out; it is
pretty much
hidden behind my
fingers.
So, everybody
thought that was
going to be
pretty much the
direction for my
next operation.
However, out of
nowhere, I said
something like
this: “I think I
want to learn
how to play the
guitar, and I
think I might
need my wrist
like that to
play the
guitar. So can
we just leave it
the way it is,
and do something
else?”
Naturally, those
are not my exact
words; because
when I was
eleven years old
I never thought
that I would be
writing this
story and
putting it on an
internet site.
It is pretty
easy to imagine
the look on the
face of my
parents when
their eleven
year old kid,
who has already
had a ton of
operations,
makes this
declaration
about a desire
to play the
guitar!
Basically, I
guess they said
are you crazy,
or something
like that, and
essentially
agreed with me
having the
operation.
However, Doctor
Salter looked at
me straight on
and said, “OK,
we can do
something else.”
He proceeded to
suggest doing
something else
but I don’t
remember
what. That is
not part of the
story, so it
doesn’t matter
what else he
did. But he did
something.
This is an
interesting part
of the story
that I only
learned much
later and I
really don’t
know if it’s
“relevant” but
it certainly
adds an
interesting bit
to the story.
This entire
paragraph is
based on a story
I got from my
sister Elyse.
Unfortunately,
she died several
years ago in a
motorcycle
accident, so I’m
not able to go
back and confirm
any of the
details with
her, but this is
the story, as
best as I can
remember. My
brother Dick had
a friend, Denny
White, who was
killed in a car
accident. He was
the guitar
player in a
nineteen fifties
“rock and roll”
band
in Stratford Ontario.
He was a good
friend of my
brother, and
whenever they
would come over
to the house and
practice, I was
always hanging
around watching
them practice.
Apparently all I
was interested
in was this
guy’s guitar.
Who knows?
In any case,
sometime after
the operation,
which did not
occur on my left
wrist, and
before we moved
from Stratford to
Charlottetown,
which occurred
in 1966, I found
an old beat up
guitar in the
attic. I took it
down, cleaned it
off, and
remember quite
clearly sitting
on the steps in
front of 250
Williams
Street trying to
figure out how
to hold the darn
thing without
dropping it. It
turns out that
the way I was
able to hold it
most comfortably
and guarantee
that I would not
drop it, was
with my left arm
and wrist over
the body of the
guitar and my
right hand on
the neck. This
is what most
people referred
to as “a left
handed guitar
player”. If you
want a point of
reference, think
about Jimi
Hendrix, or Paul
McCartney.
Pretty good
company I guess!
The next thing I
remember with
that guitar is
going into a
music store
in Charlottetown and
asking them to
put strings on
it and tune it
up for me. That
would have been
in 1966, and it
would have been
Toombs music
store. It is
quite difficult
for me to
imagine what he
must’ve been
thinking. In
any case I
walked out of
the store with
this old guitar
with new
strings. There
is absolutely
nothing like an
old guitar with
new strings!
However, don’t
get excited. Not
all old guitars
are “good” old
guitars. Some
old guitars are
just simply old.
Some of them are
really difficult
to play. Some of
them never
should have left
the factory.
Some of them
never should
have been built.
Typically, those
types of guitars
are “learner
guitars”. If you
can play one of
those, you can
play anything!
It turns out I
had a learner
guitar. Your
basic guitar has
several parts
which are
important to
know about:
the body, which
is the sound
box, the neck,
which contains
the frets, if
you are using a
fretted
instrument, the
bridge, which is
the part that
the strings go
over on the
body, the nut,
which is the
part that the
strings go over
on the neck up
near where you
turn the
strings, the
machine heads,
which are the
things you turn
to tune the
guitar. The
interesting
thing about
learner guitars
is that for some
unknown reason,
the nut tends to
be higher off
the neck than it
needs to be. So
basically, it is
much harder to
push down on the
strings. The
thing that makes
a guitar sound
good is that the
string needs to
vibrate cleanly
between each of
the frets, and
the bridge. If
you hear a
buzzing sound
when someone
plays the
guitar, it is
typically
because they’re
not pushing down
hard enough on
the string
against the
fret, and that
will produce the
buzzing sound.
The other time
you’ll hear
buzzing is when
a fingernail is
pushing up
against a
string. It
doesn’t matter
if you are
playing a
$5,000.00
guitar, or the
learner guitar
you pick up in
the attic. You
do not want to
hear buzzing!
So, this learner
guitar was quite
difficult to
play. Trust me!
However, I was
dedicated to the
idea of playing
the guitar. I
was obsessed
with the idea of
playing the
guitar. There
was not much
else that
interested me at
that time other
than playing the
guitar.
So for several
years, all I was
trying to do was
to develop the
muscles in my
right hand and
forearm so I
could push those
strings down and
not have
buzzing. Buzzing
was bad. It took
a long time to
achieve this. It
took about two
years before I
was actually
able to do
anything that
remotely sounded
like anything
other than
buzzing. I’m
sure my parents
would have
rather that I
chose to learn
how to play just
about anything
else. But I
think they knew
better than to
try to convince
me otherwise. I
think the
stubbornness
that allowed me
to learn to walk
four times was
the same
stubbornness
that was
allowing me to
learn how to
play the guitar,
or at least I
hoped so!
One of the
popular
musicians of the
time was Gordon
Lightfoot. He
had a lot of
really nice
songs, and what
was interesting
about his songs,
if you played
the guitar, was
that his songs
were not your
basic G, C, and
D compositions.
Some of them
were, but most
were certainly
not. I had a
Gordon Lightfoot
music book and
was trying to
learn a couple
of the
songs. The ones
that interested
me the most,
turned out to be
the hardest:
Pussy Willows
Cattails, and If
You Could Read
My Mind.
So, for two
years, I tried
and tried and
tried to play
the guitar
without the
buzzing
sound. Then one
day I woke up,
and my right arm
was “dead”. I
was not able to
eat, brush my
teeth, or do
anything. This
kind of scared
everybody. So,
we went to see
the doctor
[family doctor
in Charlottetown],
and he had no
idea what was
going
on. However,
about a week
later, when I
again tried the
guitar, the two
years of hard
work paid off,
and my muscles
seemed to have
developed in the
right forearm,
and this
resulted in me
being able to
actually push
the strings
without the
buzzing
sound. Before
that, all the
time I was
playing, or
trying to play,
I was able to
imagine what it
would sound like
without the
buzzing, but
naturally no one
else could!
This reminds me
of a story I
like to tell
people about my
guitar playing
and
singing. People
always tell me
that I should be
singing. Well, I
don’t sing very
well. Something
about the voice
being in the
same key as the
music! Consistently! So,
when people ask
me why I don’t
sing I tell them
the story of
Beethoven. Beethoven
would walk in
the countryside
with his friends
and whistle all
the time. His
friends would
say to him,
“Please stop
whistling, you
are driving us
crazy”. He
would reply,
“Your problem,
my dear friend,
is that all you
can hear is the
whistling!” I
think that is
the same case
for me and the
guitar. I’m
quite able to
hear full
orchestration
for everything I
play: too bad
for the rest of
you!
Anyway, as I was
mentioning
earlier, there
were two Gordon
Lightfoot songs
I was trying to
play. And for
two years I was
regularly asking
my mother “Mom,
what song is
this?” And for
two years, she
would look at
me, smile, and
say “I don’t
know.” However,
after the arm
going dead
incident, I
tried again:
“Mom, what song
is this?” This
time, however,
she turned
around almost
before I asked
the
question! She
replied with
excitement,
“Pussy Willows
Cattails!”
That was the
beginning! That
was the moment
when I knew it
was possible,
for sure, that
not only could I
play the guitar,
I could play
something that
was
recognizable.
That resulted in
a few other
changes as well.
Clearly now, it
was important
that I have a
guitar that was
a little more
appropriate for
someone who
could actually
play. So, we
went off to
Toombs music
store
in Charlottetown,
and looked at
their guitars.
After much
experimentation
with various
guitars, we
selected a
$70.00 Harmony
guitar. It was
an OK guitar for
$70.00, and in
1968, $70.00 got
you a fairly
good guitar.
However, it
didn’t take long
before the
limitations of
the $70.00
guitar began to
manifest
themselves. One
of the things it
could not do
very well was
overtones.
Overtones are
sound you get on
a guitar string
by not
depressing the
string at all,
but by just
slightly
touching it and
then hitting it
simultaneously.
It produces a
very high
beautiful
ringing sound.
Not buzzing by
any means! After
a year or so of
trying to play
with the
Harmony, it
became clear
that it wasn’t
going to be good
enough. By this
time, I was
learning to play
lots of
different pieces
of music,
different types
of music, jazz,
folk, jazz, and
basically
anything that I
liked. I had a
rather eclectic
appreciation of
music. This
brings us back
to Beethoven.
One of the
pieces I
particularly
liked was “Song
of Joy”. It took
me quite a while
to master some
of the
complexities of
the early parts
of that piece,
but I got it
fairly well.
While learning
that song, I
branched out
into Paul
McCartney’s
“Blackbird”.
Clearly two very
different songs!
There is an
interesting
aside to all of
this. When I was
in grade eleven,
I won first
prize for a
writing contest
put on by the
Canada Permanent
Trust Company.
It was a contest
for high school
students. I
submitted my
autobiography,
and
surprisingly,
won first prize!
I still remember
exactly how I
found out that I
won. I was
sitting in
chemistry class
when the
principal,
Wendell Horton,
in his normal
voice, began
morning
announcements:
“Biology twelve
has been moved
to Doug McCain’s
room, the
gymnasium is off
bounds for
cleaning, and
congratulations
to Jim Flood for
winning first
prize in the
Canada Permanent
Trust Company
writing
contest.” That
was the first I
heard of it.
After winning
the writing
contest, I was
on the lookout
for a good
guitar. At that
time, there were
really only two
good guitar
brands worth
considering.
Gibson and
Martin. In the
electric guitar
world there was
a Gibson and
Fender. In my
world, there was
what they called
a folk guitar;
steel string
acoustic. Since
I won the
writing contest,
it meant that I
had actual money
of my own that I
could spend on
getting a
guitar.
In 1968 or 69,
the family went
on a vacation
to Newfoundland.
Actually it was
just my mother,
father, and I.
One day, we were
walking
along Water
Street in St.
John’s [please
note this is the
correct
spelling]. We
went into a
music store.
Basically,
during that
period in my
life, I walked
into every music
store I went by.
This was an old,
dumpy, music
store, but it
had some really
nice guitars.
Way up on the
rack was a 1966
Gibson b25n,
which is the
small body
Gibson acoustic
steel string
guitar. Small
neck, very easy
to play.
How much for
that Gibson?
$500.00
What’s your best
price?
$400.00. It’s
been used, and
has a few marks
on it. It was
stolen from the
store several
months ago, and
the police were
able to recover
it.
Can you get it
down so I can
try it, please?
Are you
crazy? Look at
you, you’ll drop
it and break it!
So, $400.00 is
your best price?
Why don’t you go
ahead and name
any piece of
music or song,
and if I can
play it, you cut
the price in
half?
All right then,
how about this,
“Song of Joy” by
Beethoven.
You’re on! Get
it off the wall
and tune it
please.
Buddy, as they
say, took the
guitar down from
the wall, tuned
it up nicely,
and put it on
the counter. He
had no idea how
to hand it to
me. I looked
around, and
found a Trainor
guitar amp to
sit on, flipped
it over so I
could play it in
my left handed
style, bass
string on the
bottom, and
proceeded to
play “Song of
Joy” by
Beethoven.
Simultaneously,
there were two
very different
expressions on
two different
faces in the
room. The first
was on my
father’s. His
eyes lit up,
they started to
tear over, and
he was smiling
ear to ear.
Buddy, on the
other hand,
could hardly
believe what he
was hearing, or
seeing!
As I am playing
“Song of Joy”
I’m discussing
the virtues of
the guitar with
my father: This
plays really
nicely, the neck
is very straight
and plays true
all the way up,
the overtones
are beautiful,
and with a new
set of strings,
this would be an
absolutely
beautiful
guitar.” After
finishing most
of Beethoven, I
switch into
“Blackbird”. At
this point,
Buddy is beside
himself! Truly
he is not sure
what is going
on, but, I say
to my father
something like,
“Yes indeed, I
think this is a
wonderful deal
for
$200.00.” My
father looks
straight at me,
winks, and says
“Are you sure?”
After a few more
bars of
“Blackbird” I
say “Yep.”
My father walks
over to the
counter, takes
out his wallet,
and counts out:
20, 40, 60, 80,
a hundred, 20,
40, 60, 80, 200.
I stand up, say
thank you to
Buddy and start
walking out the
door. Buddy,
raises his voice
and says, “You
cannot do that
to me. Come back
in here!” I
turn around and
look him
straight in the
face, and say
something
probably along
the lines of,
“We made a
deal!” and
walked out the
door.
It wouldn’t
surprise me if
he still talks
about the day
this kid came
into his store
and bought that
old guitar for
$200.00.
After the guitar
was safely in
hand, we
continued our
trip/vacation
around the coast
of Newfoundland.
We were on the
way to visit a
friend now I
have met
somewhere in
Prince Edward
Island. I do not
remember the
details of
meeting this
girl, but I know
that she was as
seriously into
“Christianity”
as I was at that
time. Both of us
were what you
would have
called, “Jesus
freaks”. She
lived in a small
out port by the
name of Brigus.
They had invited
us for tea.
So, after
picking up the
guitar, we left
downtown St.
John’s and began
the trip to the
out port for
tea. On the way,
we decided it
was appropriate
to have some
lunch, so we
stopped at a
roadside snack
bar which was
selling fresh
fish and other
delicacies from
the ocean! A
very delicious
lunch. On the
way from there,
we picked up a
few hitchhikers.
We arrived at
the appointed
time for our
tea, only to
find that tea in
Newfoundland is
often a full
course meal!
Such is life! We
ate and ate and
ate.
We had a lovely
visit, I chatted
a lot with my
friend, and
discovered that
the feelings we
may have had in
Charlottetown
several months
earlier had some
conference or
other, did not
stand the test
of time! That
too, is life.
So, no
hard/heart
feelings, and
away we went.
Back in town,
St. John’s, we
visited the arts
and culture
center. [It
turns out that
Sheila actually
work in the arts
and culture
center the
summer that we
were visiting
Newfoundland,
and that she
worked there as
a
receptionist/greeter,
and that we may
in fact have
actually met her
at that time.
That particular
bit of
information is
very hard to
confirm.]
What is the
difference
between a good
automobile and a
good guitar? A
good car will
get you from one
place to another
just as quickly.
It’s true you
may be more
comfortable in
the good car,
but from the
transportation
point of view,
both will get to
where you want
to go. However,
a good guitar is
definitely not
the same as a
not so good
guitar, and the
difference
between a not so
good guitar and
a really good
guitar is quite
substantial.
There has to be
some reason why
not so good for
cost 50 to
$70.00, and
really good
guitars can
totally empty
your bank
account!
However, you can
be lucky! And
lucky I was when
we picked up my
Gibson for $200.
So returning
Charlottetown, I
was now the
proud owner of
the really good
guitar.
It’s interesting
what happens
when you end up
having a good
guitar! It’s not
that people were
not taking me
seriously
before, it’s
just now that I
have that “real
guitar”, people
suddenly thought
that I was a
much better
player! Perhaps
I wasn’t
actually playing
any better, but
I just simply
sounded better!
In any case, I
was asked to
play at the Kirk
of Saint James
Anglican church
Sunday evening
coffee shop.
This Sunday
evening coffee
shop was not
really put on by
the church
people, it’s
just that the
young people in
the
neighbourhood
were using the
facilities. I
had been there
several times as
a spectator.
It’s the type of
environment
which has those
plastic woven
checkered
tablecloth and
in the center of
the table is a
candle. The
candle holder is
either red or
blue candle,
with those white
mesh plastic
netting on the
outside for
visual effect!
Since this is
Prince Edward
Island, there is
a fish net
hanging behind
the one step
high stage
adding more
visual effect!
Everyone is
smoking,
although they’re
not supposed to
be, and it is
very poorly lit.
However, there
is a really good
sound system! It
was all about
the sound. Also,
it was about the
music, the
poetry, and the
general “scene
”!
So, I was asked
to play. I had
written several
compositions,
some of which
were described
as “a youthful
Bruce Cockburn”,
and I had lots
of poetry. I
decided to play
a few tunes, and
read some
poetry. Seem
like a pretty
standard thing
to do!
Glen was the
“master of
ceremonies”. He
was also a
musician. I
think everyone
in the audience
was either a
guitar player, a
songwriter, a
poet, or a
boyfriend or
girlfriend of a
guitar player,
songwriter, or
poet.